Trevor is a composer, classically trained Violist, and technologist that explores many contexts through music, visuals, and storytelling. His current projects are focused on exploring how we are connected, how we can make music and together, in-person or not, and how these connections can effect the time and space we see as separate. Apart from writing for orchestra and smaller ensembles his work as a sound designer, engineer/producer, and performer can be found in a variety of media, including film scores, arranging, electronic music, TV. In a Timeout New York review of a recent production of the play "Your Hair Looked Great" his music was described as "Smartly Scored". Trevor designs performances playing his viola and using Ableton Live for looping and effects, and real-time synchronized multi-location networked performances with people around the world

Hailing from Qathet, Canada, Madeline Hocking is a violinist, composer, and curator committed to giving contemporary music the attention and passion it deserves. She thoroughly enjoys collaborating with composers on world premieres of their works, as well as interdisciplinary projects involving improvisation and electronics. Madeline is a member of the Boston-based Semiosis Quartet, an ensemble dedicated to new music, and co-founder/co-artistic director of Noise Catalogue, an award winning collective based in New York City.
Madeline has achieved widespread recognition as both a chamber music and soloist, having soloed with the American Composers Orchestra, the San Francisco Conservatory Orchestra, the Vancouver Philharmonic, the Strathcona Symphony Orchestra and the Comox Music Centre Orchestra. She's been featured as a chamber musician in the New York Philharmonic's 'Nightcap' series, and as a solo performer at IRCAM forum, as well as being featured at Lincoln Center, Carnegie Hall, National Sawdust, the Banff Centre, the Bang on a Can Marathon, and countless festivals across North America. As a composer, her works have been performed at venues across the US, Canada, and Hungary. Madeline received her Bachelor's degree from the San Francisco Conservatory of Music, and a Master's degree in contemporary violin from Manhattan School of Music.

A founding member of the cross-genre ensemble, Warp Trio, he has led the group on hundreds of concerts and University residencies throughout the United States, as well as on international tours throughout The United Kingdom, Spain, Switzerland, Holland, Germany, and the Caribbean. Highlights of recent seasons include, headlining performances at The LEM Festival for Experimental Music in Barcelona, the Omaha Under the Radar Festival, the 2020 MASA Jazz Festival in Abidjan, Côte d'Ivoire, and being one of the honored recipients of a New York Foundation for the Arts Grant.

A native of New York City, Jason Mellow began playing violin at the age of 4. He received his Bachelor of Music degree from Mannes College of Music in New York, and in 2013 completed a Master of Music degree from Indiana University with a Dean’s Scholarship and a Music Merit Award. His teachers have included Professor Mark Kaplan and Dr. Ann Setzer. An avid performer of new music, Jason has participated in various ensembles, including the Mannes Contemporary Music Ensemble, the Holographic New Music Project, and he was awarded the Prix d’Interprétation Composition from the Fontainebleau School in France for the mastery of world premiere performances of new music.

Since returning to New York, Jason has maintained a busy freelance career as a violinist and violist. He was most recently a member of the orchestra for both the New York Spring Spectacular and the 2014 Christmas Spectacular at Radio City Music Hall, and is a substitute violist at American Ballet Theater and Broadway’s Phantom of the Opera. Since 2014 he has also been on the faculty of the Brooklyn Conservatory of Music's “Music Partners Program”. Jason has been a member of The Chelsea Symphony since 2013, and can be seen with other members of TCS in Amazon Studios' Mozart in the Jungle.

Dorothy is a New York and DC-based (toy) pianist, improviser, sound-maker and educator, pianist of Chromic Duo, touring artist, multimedia performer.

A new-music advocate, she enjoys exploring experimental repertoire and new sounds on the piano, prepared piano and toy piano. She is the founding member of toy piano electronic duo Chromic Duo (CAG artists), and chamber collective ensemble mise-en, and has premiered, performed and recorded hundreds of new works. Past appearances include performances at Carnegie Hall (New York, USA), Roulette Intermedium (New York, USA), Bösendorfer Saal (Vienna, Austria), BEXCO (Busan, Korea), Kapellet Produktion (Stockholm, Sweden), and at music festivals such as SXSW (Austin, USA), Moving Sounds Festival (New York, USA), Gaida Festival (Vilnius, Lithuania), and the Arena Festival (Riga, Latvia).

Dorothy values promoting and collaborating with multidisciplinary artists and composers for new projects and premieres, to create programs that are responsive yet intimately reflective. Recent collaborations include installations at the Design Museum of Chicago, FigmentNY on Governor’s Island and Kalamazoo Institute of Arts, with the support from the Lower Manhattan Cultural Council, Chamber Music America, the Brooklyn Arts Council, and the Barlow Endowment.

Along with her passion for good music, Melly brings her unique experience providing digital support for staff and clients served by educational and social justice organizations. This proven ability to implement and monitor a range of innovative programs in collaboration with the public, nonprofit, and private sector is a valuable asset to En.j.inn Arts. She enjoys writing, tennis, and swimming in her free time. Melly is a graduate of Eastern University and Portland State University.

Kylan Hillman is a composer, improviser and electronic music artist who’s work focuses on the textural and timbral aspects of music as well as the malleability of digital sound. Kylan is interested in the aesthetics of mess and entropy, the interruption and undermining of processes, the philosophy underlying cooperation between humans and computers, and our perceptions surrounding samples and musical references.